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Chroma KeyVFX Suite gives you fast, automatic chroma keying. Whether you are using a green screen or blue screen, Primatte Keyer can regularly pull a perfect key with a single click. Primatte’s cleanup tools help turn even the most difficult shots into solid and professional composites. Take your chroma keying results even further by using Primatte in combination with Supercomp’s post-keying tools.
Tracking & CleanupVFX Suite features lighting-fast, accurate planar tracking, right inside of After Effects — no need to step out of AE for great corner-pin tracking results anymore. Whether you’re pinning a rectangular sign or something not rectangular at all, King Pin Tracker has you covered. Also included is Spot Clone Tracker, a powerful tool for quickly removing anything from skin blemishes to unwanted objects in your shot.
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VFX SupercompSupercomp is a compositing environment that makes it easy to create complex, seamless composites. In Supercomp, light and atmospheric effects interact with ALL of your layers and the elements of a scene in a far more natural way and with far less pre-composing than ever before. Supercomp includes more than 15 gpu-accelerated context-aware tools for integrating all of your elements into your final shot.
VFX Primatte KeyerPrimatte Keyer is a powerful tool for fast, automatic chroma keying. Whether you are using a green screen or blue screen, Primatte Keyer’s auto compute algorithms can often pull a perfect key automatically. The new user interface and clean up tools make it easy to select and separate your background and foreground.
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VFX Optical GlowOptical Glow is a blazing fast, drop-dead gorgeous, photo-realistic glow effect for use in professional visual effects and motion graphics. It’s easily the most beautiful, highest-quality glow you’ve ever had on your timeline. There’s actually a lot of science behind why it looks so much better than the glows you’ve been using for years, but the bottom line is it’s just super awesome.
VFX Chromatic DisplacementChromatic Displacement uses one layer to displace the pixels of another, while smoothly separating out the colors. Unlike the Displacement Map effect in After Effects, Chromatic Displacement uses the displacement image as a height map, which gives you beautiful, organic results. We designed Chromatic Displacement for creating professional visual effects, such as force fields, heat ripples, light refractions, cloaking effects, and much more – but it’s also great for motion graphics.
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VFX ShadowShadow is a plugin for After Effects that makes it super easy to add a perspective shadow in front of or behind a layer, based on its alpha channel, brightness, and more. With options for softness, bend, length, color and many other properties, the Shadow effect goes far beyond the various shadow tools available inside After Effects.
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Chroma keying/greenscreen in Resolve 15?
I tried just doing it using Resolve's qualifier feature, it works okay with roughly replacing the background, but I can't for the life of me get rid of the blue edge that remains around the subject, especially between the hair. If I blur it, it looks blurry, if I contract it, it looks weird, so I just don't know what to do.
I tried using the built-in Fusion but I then run into new problems. For example, as soon as I do anything in the Fusion panel, the clip shrinks in size and the top 5% becomes chopped off, requiring me to zoom in a bit and use some output blanking to hide the problem. I cannot get rid of this issue even if I delete all the Fusion nodes or press Undo a million times. The only solution is to start over from scratch, which sucks.
Is Resolve simply not suitable for chroma keying, or am I missing something? I don't want to waste more time trying to figure it out if it's impossible to begin with.